Asian American Literature :: essays papers

Asiatic American Literature Asiatic Americans seem to be fighting an unwinnable battle when it comes to the content of their writing. Writers are criticized by egg whites for speaking start against unlikeness, and by their fellow Asian Americans for contributing to the stereotypes through their silence. I conceive that Asian Americans should include political relation in their writing as they so choose, but should not feel obligated to do so, as cad bring up suggests.For those Asian Americans who make known their discontent with the injustice and discrimination that they feel, in the white market-gardening, this translates to attacking American shiningity and initiating insecurities. For Mura, a generator who dared to question why an Asian American was not allowed to audition for an Asian American role, his punishment was the ostracism and demonization that ensued. In essence, he was shunned (Hongo 4) by the white volume who could not believe that he would attack their superior American ways. According to writers such as Frank bring up and the domicile of the Aiiieeeee group, the Americans run through dictated Asian culture and created a perception as nice and quiet (Chin 1972, 18), mamas boys and crybabies without a man in all the males. (Chin 1972, 24). This has become the belief of the proceeding generations of Asian Americans and therefore manifested these stereotypes. Those authors who passage of arms these American made stereotypes are said to betray the American culture and white power around them, and to be rocking the boat in a seemingly decent living situation. It is as though Asian Americans are succombing to the thought that America is the only place to be and that they should be pleasing to live here.On the other hand, keeping silent due to pressures from the white population means being shunned by the members of the Asian American population. I disagree with Chins ascertation that years of apparent silence have made us acc omplices to the makers of stereotypes (Chin 1991, xxxix). I agree with Hongos argument that Chin viewpoint limits artistic freedom (Hongo 4). Declaring that those writers who do not argue stereotypes of the good, loyal, and distaff Chinese man or the submissive female, are in each way contributing to or disagreeing with them is ridiculous. Chins opinion that politics should be included in some aspect of every Asian American piece eliminates choice from writing topics for other writers. Authors are the voices of the people (whichever people they choose to represent) and should not be criticized for choosing to discuss issues other than those that Chin deems necessary.